![]() ![]() ![]() He is criticized for managing a football club as a business, but it is just one. “He knows the sport much better than many of those who criticize him today,” said Michel Mimran, marketing director of PSG when Longuépée arrived as deputy general manager of the capital’s club in 2012. In May, the ultra group also leaked recordings of a meeting during which the club boss exchanged with the ticketing manager, Anthony Thiodet. He sees Bordeaux as a brand ”, tackles a member of the Ultramarines, behind a demonstration against the leaders of the Girondins de Bordeaux which gathered 2,000 people in town on the eve of the second round of municipal elections. ![]() “His vision of football is that of entertainment. Since the end of 2019 and the takeover of the shares of the former by the latter, of whom he is the trusted advisor, Frédéric Longuépée is proud to have his hands free at last. Those around him describe a discreet man, concentrated on the files of a club torn apart at the end of the year by disagreements between the two investment funds, GACP and King Street, behind the buyout of the club at M6 in late 2018. “He who likes to work in serenity, he is served”, slips a former collaborator. Less than two years after his arrival at the head of the club, he is forced to defend himself on the popular, political and now sporting fronts with a coach, the Portuguese Paulo Sousa, who has expressed his wishes for departure to several executives of the locker room and began discussions in this direction with its management. The little things close? His position as president of the Girondins earned him today to be in the crosshairs of the club’s ultras and the new mayor of the city, the ecologist Pierre Hurmic, who are asking for his head. More or less, Frédéric Longuépée’s new life resembles that of many well-to-do Parisians who fled the capital to join Bordeaux with the arrival of the high-speed line. Habits taken in two addresses with a view to the coast, at Hortense in Cap-Ferret and at Co (o) rniche on the Pilat dune. A few trips to the Arcachon basin to enjoy the charms of the lagoon. They reunited to adapt Gigi for the stage (1973) and to write the score for the film The Little Prince (1974).A discreet life with his wife and daughters in an upscale district of Bordeaux (Gironde). Personal differences between Loewe and Lerner surfaced during the writing of Camelot, and they suspended their collaboration for more than a decade. This was followed by Paint Your Wagon (1951), My Fair Lady, the film Gigi (1958), and Camelot (1960). They continued their collaboration through two failures, What’s Up? (1943) and The Day Before Spring (1945), before achieving success on Broadway with Brigadoon (1947). In 1942 Loewe met Alan Jay Lerner at the Lambs, a theatrical club in New York City, and asked him to work on revising Salute to Spring for a Detroit producer. Loew collaborated with lyricist Earle Crooker on the musical plays Salute to Spring (1937) and Great Lady (1938), but they similarly failed to gain attention. In 1934 he contributed music to the Broadway play Petticoat Fever, and by 1936 he was writing music for Broadway revues, but he received little acclaim. Loewe arrived in the United States in 1924 and worked in a variety of odd jobs for the next 10 years.
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